The company’s next release will be “20 Forever,” the latest spinoff from the “Miss Granny” franchise, a hit Korean time-slip romance that was remade in China, Vietnam and Thailand. The romantic thriller with a political edge premiered in the Horizon section at Venice Film Festival.įor the next project, “Cado Cado: Doctor 101,” CJ played an even bigger role, working from development stage of the medical dramedy with director Ifa Isfansyah. Spotting Anwar’s “A Copy of My Mind” (2015) from the Busan Asian Project Market, the company gave the production a leg up through its clout in world sales, distribution and festival promotion. A year later, its film production arm CJ E&M began investing in local films. In January 2013, CJ CGV established itself in Indonesia under commission by local theater chain Blitzmegaplex, and has since opened 29 cinemas with 199 screens across the country. The agency is participating in Cannes for the first time to reach out to potential international partners.Īlready, overseas companies have tapped into the market potential and geo-cultural diversity of the world’s fourth largest population, which exceeds 263.7 million. Five film commissions have been set up and increased effort will be made to protect intellectual property. 44 in 2016, to ease bureaucracy and allow 100% foreign investment in the local film industry. The Indonesian Agency for Creative Economy, which reports directly to Widodo, is pushing forward new policies, such as Regulation No.
#Wiro sableng 212 hooq movie#
The government is taking unprecedented steps to empower the movie industry.
The 2014 election of President Joko Widodo arguably boosted a more self-expressive creative environment. It is also the third feature by Mouly Surya, whose sophomore feature, “What They Don’t Talk About When They Talk About Love,” premiered at Sundance 2013. In fact, there is talk of a new wave, or neo-neorealism, that explores gritty contemporary subjects about politics or gender with stylized, poetic film language.Ī new height has been scored by the selection of “Marlina, the Murderer in Four Acts” in this year’s Directors’ Fortnight, the third Indonesian feature to bow in Cannes. One body cannot handle the power of two souls, so the overflowing power resides in Wiro’s ax, which is the only dragon ax that could withstand the true power of “212.” The power is awakened when Wiro’s life is in danger.The arthouse scene is also flourishing, with second-generation directors Edwin, Joko Anwar, Lucky Kuswandi and Teddy Soeriaatmadja turning up at top festivals alongside relative newcomers including Eddie Cahyono (“Siti”) and Yosep Anggi Noen (“Solo Solitude”). Of course, in other people’s eyes, there is only one Wiro. With the spiritual guidance of “212,” they fused and two souls become one. The Wiro in Athanor was trying to find a way to fix the dimensional rift, while the Wiro from another world also wanted to save his homeland from this crisis. When the dimensional rift expanded, the Wiro in a different world sensed the changes in Athanor, so he followed clues and met his other self in Athanor.īoth of them have been practicing “212” and their souls resonated from the moment they met. Some think it’s Wiro’s bold personality, but that’s far from the truth Wiro’s body contains two different souls. People love his wisdom, courage, and humor, but they are puzzled by his recklessness. Wiro had been through many legendary adventures and his heroic deeds became popular stories. Those with power all understand that there is no real conflict between Wiro and them, because he is a lone wolf that demands no power or wealth, unlike themselves. While Wiro’s style often makes himself an obstacle, few see Wiro as a real enemy, especially the warlords with armies. Too many new things to be discovered and too many evil enemies to be challenged on Athanor. He simply enjoys life and adventures in his own way. Wiro is a famous “mad hero.” Some like his bold character, while some hate his madness.
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